A "shocking historical event" caused by the "already savage Japanese" in China 500 years ago.
中国の愛国者、鄭順貢は戦国時代に日本を訪れ、その見聞を『日本一観』に記録した。 彼は、倭人の暴力行為の認識は歴史上の出来事と厳しい自然環境によるものだと主張した。 暴力的な評判にもかかわらず、鄭順宮氏は、日本人は礼儀と秩序を重んじ、厳しい刑罰によって維持されていると指摘した。 彼は、暴力の象徴および輸出品としてだけでなく、殺害に使用されない場合の精神修行の象徴としても日本刀の重要性を強調した。 鄭順宮は、日本人はその残忍さにもかかわらず、日本刀に象徴される礼儀正しさによって命令され、統制されていると示唆した。(English) Chung Shun Gong, a Chinese patriot, visited Japan during the Warring States period, documenting his observations in "Nihon Ichikan(I watched Japan once.)". He attributed the perceived violence of the Japanese to historical events and the harsh natural environment. Despite their violent reputation, Chung Shun Gong noted the Japanese valued courtesy and order, maintained through strict punishments. He highlighted the significance of the Japanese sword, both as a symbol of violence and an export product, but also as a symbol of spiritual training when not used for killing. Chung Shun Gong suggested that the Japanese, despite their brutality, were ordered and controlled by politeness, symbolized by the Japanese sword.
A "shocking historical event" caused by the "already savage Japanese" in China 500 years ago.
The reality of the Sengoku period (age of civil war) drawn by "Nihon Ichikan(I watched Japan once)".
1)
A Chinese man visited Japan during the Warring States period on a mission to fight the Japanese pirates. He was a "patriot out of power" named Chung Shun Gong.
In his memoirs, Nihon Ichikan(I watched Japan once), he records everything from the natural climate to the customs and spiritual culture of the Japanese people.
What is the real Japan of some 500 years ago, seen through the fresh eyes of a neighbour?
2)
The "Wajin" ferocity is due to the volcano!?
In this period, the Chinese image of the Japanese was certainly "violent".
Firstly, the impact of the Ningbo Rebellion in 1523, some 30 years before Chung Shun Gong visited Japan, was enormous. The ships' crews sent to the Ming Dynasty by the two powerful daimyos of Japan, Ouchi and Hosokawa, fought in the city of Ningbo in China, causing turmoil in the area.
3)
Then, in the 1550s, Japanese pirates ravaged the coastal areas of China and were called the "Jiajing Great Japanese Pirates".
It is said that many smugglers and criminals who crossed from China to Japan were among the core of the Wako, but from the perspective of China at the time, they were generally 'Wajin'. The year 1556, when Chung Shun Gong left for Japan, was precisely when the Great Japanese Invasion was at its height.
4)
Jiajing Great Japanese Pirates:
https://kotobank.jp/word/%E5%98%89%E9%9D%96%E3%81%AE%E5%A4%A7%E5%80%AD%E5%AF%87-1154400
During the Jiajing period (1522-66) of the Ming dynasty in China in the 16th century, Japanese pirates operated off the coast of mainland China, Japan, Korea and the South Seas. Only 10 to 20% of the members of the Wako in the 16th century were Japanese, and most of them were smugglers from the Zhejiang and Fujian regions of China. The smugglers' bases were Shuangyu in Zhejiang (called Liangpo by the Portuguese) and the Port of Hell, but the Ming authorities attacked these areas. Once wiped out, the smugglers turned into gangs of sea pirates.
5)
Why are the Japanese so violent? Chung Shun Gong looks for the cause, like the Japanese archipelago. Shunko Tei, who landed on Iwo Jima in the Nansei Islands and saw a volcano spewing fumes and probably saw hot springs erupting in Bungo, Kyushu, argued from the perspective of Chung Shun Gong as follows:
<The Japanese archipelago was formed in extreme darkness, and what raised Iwo Jima and other places resulted from intense shadows, the opacity of the sun, depression of the spirit, and transpiration.>
<But [yin qi(It is not sunny air)] never runs out, and when it manifests in the Japanese archipelago, it takes on the character of a dry "fire". The momentum of the mountain has become rough and wild, giving birth to the fierce temperament of the Japanese. (Omitted) It is said that human beings are also born in response to the earth's energy. Therefore, the Japanese have a fierce personality because of the spirit of the land. >
6)
He also believes that the Japanese value courtesy and order because of their wild nature. This is what "Nihon Ichikan" says:
<Pirates are called [in Japan] 'Bahan' or 'Shiranami', and the whole family is slaughtered when discovered.
In Japanese manners and customs, the prohibition against robbery is so strict that theft is rare even if the gate is not barred at night. The people call the robbers thieves and do not forget their grudge. Although his customs are martial, he respects Buddha and likes to write. It would be best to use education to get the point for the Japanese. >
In Japan, the order is maintained by violent forces disregarding human life, and culture is respected under that order. When confronting such Japanese people, they should not simply resort to military force but use "education". That is cultural policy.
7)
Taking life lightly and respecting courtesy and order
One aspect of Japanese culture is particularly prominent in "Nihon Ichikan". It is the "Japanese sword".
Initially, many Japanese swords were brought to China through the tribute trade. Their quality was highly regarded, and they were an important export product of Japan. In the 15th and 16th centuries, 3,000 to more than 30,000 were brought to China by a single ship sent to the Ming Dynasty.
The Japanese, who crossed the sea as pirates, killed many people with their swords, and the ferocious image was burned into the minds of the Ming Dynasty Chinese. However, Chung Shun Gong also sees that ordinary Japanese people did not necessarily use swords to kill and injure.
8)
<To know that a sword is sharp, but not to kill a person with that sword is a treasure. (Omitted) If you carry such a sword and do not kill until you are old, you will offer sake and command your comrades and relatives to leave a book and pass the sword on to your children. Comrades and relatives will also celebrate by offering sake. It's called a sword that doesn't kill and is a treasure. >
9)
A sword that has never killed a person symbolises the depth of its owner's spiritual training, and by bypassing such a sword, this spirituality is inherited. Makoto Ueda, professor of literature at Rikkyo University and author of The Chinese Who Saw Sengoku Japan, said.
"In China, tools are treated as tools, and there isn't much spirituality. As for kitchen knives, in Japan, they use different knives depending on the ingredients, such as deba knives and Yanagi ba knives.
The idea is that it's enough to have one versatile tool. Japanese people have a solid attachment to devices and found it in the sword as a cultural trait."
"Nihon Ichikan also describes Japanese punishment and seppuku in detail. There is also a depiction of Chung Shun Gong himself in the scene.
10)
<If a person who quarrels draws his sword in the heat of alcohol, even if he does not hurt anyone, he will surely be put to death. Adultery, gambling and accidental fire are also punishable by death. The prohibition of stealing is stringent, and anyone who steals even a single thread will be put to death. >
<The culprit is taken to a field in the suburbs or a beach by the sea. When the criminal's neck is untied, he quietly removes what he was wearing, bundles his hair and presents his neck.
Onlookers crowd the front row. If you are about to execute a servant, take the opportunity to test the sharpness of your new sword. They despise life like garbage. If they rebel, their families will be slaughtered and their homes burned. >
11)
<If those considered chiefs or wealthy commit a crime punishable by death, many will die by cutting their stomachs open. Before committing seppuku, put sake in the hall and eat and drink without being upset. The spectator sobs. If he hesitates and is late, the crowd will clap their hands, laugh and shout, "You're a coward. After he commits seppuku, they will intervene. >
12)
The Japanese people portrayed in "Nihon Ichikan" 500 years ago were "brutal", but it can be said that they were ordered and controlled by politeness. In Chung Shun Gong's eyes, the symbol was the Japanese sword.
A "shocking historical incident" that "anyway ferocious Japanese" caused in China 500 years ago.
The reality of the Sengoku period(age of civil war) drawn by "Nihon Ichikan."
https://gendai.media/articles/-/113251?imp=0